I have respect for the ministry of Plugged In and how they serve Christian families by flagging objectionable content in film. I think there’s a place for this kind of thing and have availed myself of the site frequently over several years.
But in my experience, evangelicals frequently place too much trust in services like Plugged In. Instead of using them as helpful meters to determine age-appropriate moviegoing, many Christians use content and worldview metrics to shape their entire approach to consuming culture. The problem with this reductionistic approach is not only that it frequently fails to accurately represent the nature and purpose of art, but that it relies heavily on the idiosyncratic blind spots of a religious subculture.
Here is a great example of what I’m talking about. Plugged In wrote a mostly positive, if somewhat dismissive review of the kids movie Show Dogs. After noting some bathroom humor in the content flagging portion of their review, here’s what they said in the conclusion:
Show Dogs is a kids’ movie through and through. If you consider its story and presentation on a graduated scale—say, one that ranges from whine and scratch on the low end all the way up to a family pleasing tail-wag peak—this pic probably qualifies as a Saturday-matinee chew toy that lands on the less-enthusiastic, flea-bitten side of the scale. It feels like a talking-dog version of Miss Congeniality: a canine caper the youngsters will giggle at even as parents roll their eyes wearily.
On the plus side, it actually has plenty of action and less doggy doo-doo humor than I expected. And in the negative column, there are some extended dog-private-parts-inspection moments and a couple uses of the word “d–n” that really should have been left on the cutting room floor.
Your kids will likely think it’s silly and fun. But whatever you do, I’d suggest you leave your family dog at home. ‘Cause he’d never forgive you.
For those familiar with Plugged In’s style and language, this most certainly constitutes a positive review. Show Dogs, according to this reviewer, is fine for your kids, if a little trivial. They’ll enjoy it, you probably won’t, but it’s harmless fun.
Today—and to their credit—Plugged In ran a blog post that discusses some of the controversy that’s been growing around the film. You can read the viral review one mother wrote here, but the short summary is that many parents and sexual abuse victim advocates are extremely concerned that the way Show Dogs handles a particular subplot sends a seriously disturbing message to kids about their bodies and private parts.
Apparently, Plugged In’s positive review of Show Dogs caused some concern among their readers, concern which they wanted to address via the blog post. Here’s how they address it:
One thing we try not to do at Plugged In is infer motive, because that’s a game with no real end. Our objective at Plugged In is always to tell you what’s in a film as accurately as we can and let you, the reader, draw your own conclusions and make your own decisions. When I saw this sequence, it translated as simply as an over-long potty joke that wasn’t particularly funny in a silly movie that wasn’t particularly good.
But movies, even the most straightforward of movies, are incredibly complex things. It’s not just the moviemaker’s story that’s at play here: It’s our own stories, too. We all bring our own experiences and sensitivities and baggage to every movie we see. And so, in many respects, even when we watch the very same movie, the messages it gives can be very different. Unique.
I have no idea why the editors at Plugged In noted the controversy surrounding Show Dogs and decided to double down on their positive review of the film in response. Why not simply let the controversy pass you by, noting that you diligently catalogued the movie’s profanity and potty humor and adding no further comment? No clue. But what actually frustrates me about Plugged In’s post here is that it’s not really the truth. When Plugged In writes that they don’t try to infer motive or tell readers what decision to make about a movie, they’re either using definitions of those words I’ve never heard of, or they’re not being totally honest here. Plugged In infers filmmaker’s motives all the time. Plugged In tells readers to stay away from certain movies because of their messaging all the time. This kind of exhortation is intrinsic to the discernment ministry that Plugged In operates. For them to claim that they do anything less is profoundly confusing, because it’s demonstrably untrue.
I don’t fault Plugged In for missing a troubling interpretive angle of a film. Anybody can do that. What I do fault is the impulse within evangelicalism to make Christian discernment and worldview ministries the sole proprietors of virtue and vice in pop culture. There could be an important reason why a major evangelical pop culture review completely missed overtones of sexual abuse in a movie: Namely, because much of evangelicalism, including our churches and parachurch ministries, has a blind spot when it comes to sexual abuse. We fail to see what we aren’t looking for, and we fail to look for what we don’t think about enough.
Maybe Plugged In doesn’t want to publicly consider this possibility. Maybe it hasn’t crossed their minds. Either possibility doesn’t really matter in the end, just like the motives of a filmmaker who puts graphic nudity or 200 F-bombs into his film don’t really matter for a Plugged In review. What’s there is there. The question is seeing it.
This isn’t an indictment of Plugged In or a call to burn down evangelical reviews of movies. Instead, it’s a call for humility in how Christians engage culture, and a reminder that holistic approaches to art are superior to worldview litmus tests and curse word-counters. There is a place for the latter, but it shouldn’t be in front and on top of the former.