I took the plunge that I had been studiously avoiding and turned on God’s Not Dead, the evangelical blockbuster movie from last year that has thus far raked in cash, awards, and even designation as the “best Christian movie of the year.” I had seen beforehand its 17% rating on Rotten Tomatoes and read thoughtfully critical takes on the movie. I was more or less prepared to watch a bad film, and indeed that’s what I got.
The failures of “God’s Not Dead” are particularly frustrating when you consider how easily they could have been avoided. There’s nothing wrong with God’s Not Dead that couldn’t be fixed by handing the script to a writer who isn’t eager to portray non-Christians in the worst light possible. The film feels less like a dramatic narrative and more like a propaganda reel, highlighting The Enemy in all their inglorious abominations.
It would be one thing for the movie to caricature non-evangelicals if it had no aspirations to realism in the beginning. I actually would be curious to watch a well-done diatribe against the secularist monopoly on higher education; the potential to learn something in that context seems high. But the medium of dramatic narrative is a higher medium than a lecture. It engages the imagination and moves the spirit in a more significant way. That’s why God’s Not Dead’s animosity towards its non-Christian characters is dangerous; if Christians come away thinking unbelievers in real life are like the unbelievers of God’s Not Dead (and that is clearly the message of the script), they will be carrying a spiteful fantasy into their relationships and evangelism that will be fatal to Gospel conversations.
Fairly representing those who disagree is not something that Christians should be bad at doing. Telling the truth about what people believe and engaging them like honest people isn’t a spiritual gift or an acquired skill. It’s basic honesty. How can I criticize the anathematizing of people like Brendan Eich and Ryan Anderson if after hours I myself enjoy caricatures of those who disagree with me?
I understand why people enjoy “God’s Not Dead.” It’s a brief moment of cinematic glory for Christians who, for good reason, often feel lampooned and marginalized in pop culture. But it’s a moment that comes at the expense of a helpful or even realistic perspective on the dialogues between faith and unbelief. The vast majority of atheists that Christian students will meet in college are nothing like the professor from God’s Not Dead. If these students go into school expecting the contrary, the cognitive dissonance that will result from seeing a reality that contradicts their assumptions will have a worse effect on their faith than a few hours of talking with a unbeliever could ever have.